Why the recording mix of the 60's blue note records' albums sounds so good and natural? - rudy van gelder jew
Mixed Rudy Van Gelder from the press at the Blue Note 50 60 (mainly in the 60s) seems very surprising. How to burn? How is the microphone rhythm section? It sounds so warm and organic.
Friday, February 12, 2010
Rudy Van Gelder Jew Why The Recording Mix Of The 60's Blue Note Records' Albums Sounds So Good And Natural?
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Golden Davis arrived.
ReplyDeleteMixing of analog and digital have different effects on the sound quality. Digital can be much clearer, but you feel that you care about. Unlike towers devices like his ... recorded live, and very little application.
Hope this helps.
I'm no expert in sound recording, but when I read the notes from Stax instrumental CD that an idea of why the records sounded so hot there at the time.
ReplyDeleteThe Stax studio musicians fuse that has accompanied a number of '60 's R & B and soul singer recorded in the bustling atmosphere of the study that reinforces the bass from your sound. You can hit in Booker T and The MG's Green Onions. "
Steve Cropper, the guitarist of Booker T & the MG's, Stax transfer contributes to the notes were turned away, sometimes the comics seem a little more about saving single '45 'is created due to the heavy grooves range in wax I ate a lot place in the reception to the point where couldn't suitable for all the texts to produce an entire album. However, they were able to keep the heat in the sole 45, there was plenty of space. Thus, the disc has this warm sound, others not.
This may not be the cause of the heat that can be heard on recordings for Blue Note, but it puts it suggests that there are many variables in the original recording and editing of what happens if they do not have a single cause .
However, no recorded digitally IMO, if done properly, will sound ten times better than what has been tried in this moment of live performances.
I have the CD, Kenny Rankin "Because of You" off-label Chesky has been making using the techniques his minimalist, without synchronization or increasing tHat sounds like the musicians in the room. We talk about the purity of a psycho-acoustics.
I have several Blue Note sound, natural and warm CD's that you describe, but is not a part of modern digital recordings of things that I've heard. And the CD on a CD Techniques from 1992 to 2000A Sansui 1972 stereo amplifier and two speakers Lab 1984 Norman fashion.
'60 'S soul singer Sam Moore Overnight Sensational latest CD sounds like a band in the room. Her voice has never sounded better.
They say, organic and warm. The word is analogous. All records at the time was to live and analogue. The recordings were changed because the term was 360 infectious. Designed a system of 360 in 1964. Someone working in Colombia on the same concept. They went with the red label 360 in late-60th That the music and the record is changed forever.
ReplyDeleteIf you are 2 to 8 tracks can then go to 16, and the sound is mixed with a microphone set of pots in a pan master, music can sound as if I were in your living room. He won the Quadradisc. The price for the digital economy took over in 1980, and the music sounded so good since.